Give Me Another Hœur Please God - Woolworths Flu Shot (Self released)

There is nothing more pathetic than boomers who lament there are no decent bands anymore.

Sure, they’re not as bad as the ones who go on about shitty, awful tribute cover bands populated by burned-out has-beens, or those people who think |godawful vineyard gigs with heritage acts responsible for the worst Australian music of the 1980s are somehow relevant.

Don’t listen to any of them. Some of the edgiest, toughest and most inventive bands are Gen Z. OK, it’s sometimes like panning for gold to find the nuggets of wildness, but they are out there.

It was a Wednesday night a few weeks ago when I dropped into the legendary and edgy Nimbin Hotel in Far Northern New South Wales. I entered to the sound of blisteringly loud noise as the bar’s floorboards shook.

“Black Milk 35^th Anniversary”
The Beasts
with guests Rob Younger, Hellen Rose, Richie Weed & John Schofield
+ The Johnnys
+ Richie Weed and The Strays
+ Unsound
The Factory Theatre, Marrickvile, NSW
Friday, December 12, 2025

Words & Pictures: THE BARMAN

When the definitive mainstream version of the history of Australian rock and roll finally is penned, the Beasts of Bourbon are unlikely to get their dues. History is written by the victors and its telling needs to be simplistic if it’s to have the desired effect of "moving units".

I once shopped a manuscript of a Radio Birdman member (no, not Chris) to a bunch of publishers to be told by one of the biggies that they saw no market for it because the band’s fans couldn’t read.

Despite dancing with a broad audience in the early ‘90s, the Beasts of Bourbon narrative is just too convoluted, edgy and unconventional to suit straight publishers. Not that this need be a deterrent to enlightened ones. 

_{Colin Gray (right) with Kim Salmon.}

It’s been another productive year at Vicious Kitten Records with new album releases by Kevin K & The Bowery Kats, Pillbox NYC and (next month) the new album by Melbourne outfit Girl Monstar, who have reformed and recorded a new album after a 30 year hiatus!

Before I get to my top 10, I want to acknowledge the efforts of two cats who are responsible for the incredible sound and artwork on the Vicious Kitten releases – being sound wiz Ernie O at his Urban Fringe Compound, and the best graphic artist in the biz, Mark Rubenstein. I cannot recommend these two guys enough. If you need creative design/art for your project in 2026, Mark is your man. In terms of rock ‘n’ roll highpoints for the year just gone, it’s challenging to narrow it down to 10, but here goes……..

Here’s my top 10 live shows from 2025, in chronological order: 

1.  The Schizophonics: La La La’s, Wollongong & Factory Theatre, Marrickville – January  
I was fortunate enough to catch The Schizophonics twice in January. A cracking rock band fronted by an over medicated hyperactive octopus, Pat Beers. They had the entire audience smiling their whole set both nights. Most excellent! 

2.  The D4: Mary’s Underground, Sydney – February 
I’ve dug the The D4 since their first album, 20 odd years ago, so there was no way I was missing their first Sydney show in yonks. Gotta admit to being a bit nervous though, would thThis Woy Woy line-up is Outtaspaceey still have it? Would they be a good as I remember?? Yeah they fuckin were!! Ripping set! Killer Rock n roll with all the hits! Dion thrashed his geetar at the end ensuring no encore, perfect! 

3. Sun Ra Archestra: Factory Theatre, Marrickville – March 
Sun Ra’s free jazz is soothing for me, so this show was a must. A 20-odd ensemble of musicians playing spaced out free jazz in psychedelic outfits - memorising! The 70-year-old band leader doing backflips at the end was the icing on top. 

_{Fuck The Neighbours leader Simon Chainsaw.}

Fuck The Neighbours
+ The Molly Fet Circuit
MoshPit Bar, St Peters, NSW

WORDS: Geoffrey Datson
IMAGES: The Barman

There was some confusion, so I’m arriving at the bright Saturday afternoon gig late.

Into the long dark venue.

It seemed there’d been some mishap?

A first responder with a head torch on  is stumbling through debris, where the stage used to be.

Peterbilt b/w From The Ashes – Zeke (Hound Gawd Records)

If you have to ask what it sounds like you’ve never heard a Zeke record. Like most, if not all of them, ”Peterbilt” throttles along like a speed-freak with a headful of crank chasing white lines down an autobahn where there’s no posted limit. If it’s too fast you’re probably too old (and I might will be.)

Live, the band is visceral. On record, they’re all heat with no shade - and so it is with this 45.

“From The Ashes” is dominated by the declaration “this is the night – let’s go” and does what it’s told. The A side might be a song about the “Peterbilt” truck brand but ends up a blur, so it’s hard to tell without a lyric sheet. The briefest of guitar solos tears through the middle like high-beam headlights.

Let’s be real - if you’re chasing Zeke thrills you’re not in search of sensitive balladry and the words don’t much matter anyway. This single likely won’t be streamed and will end up selling out, so it’s for the fans. The blurb calls it "a must-have for punk vinyl collectors and anyone who craves explosive riffs, breakneck drumming, and pure punk chaos" and I don't feel like arguing. 

Buy it 

There's been so many killer bands/releases/shows/etc this year that I've loved which makes it damn hard to narrow it down to 10 highlights. Cos I don't really bother with digital or streaming when it comes to my music addiction, this is the 10 (mostly) physical music things that have kept me coming back for more in 2025 - in no particular order.

Blast Module – “Demo 1” EP
I heard some snippets of these tracks online early this year and they snagged my attention immediately. Their debut EP came out in May and its been on heavy rotation ever since. “Demo 1” is a total high energy synth punk burner from top to bottom. Riffs, hooks and melodies all wrapped up in 8 bit video game goodness. I've managed to catch these guys live a couple of times during the year and they deliver the goods on stage too. Check out their track Helenova for a taste.

Swami John Reis – “Time to Let You Down” LP
Any time the Swami puts out new music I'm on board. It’s ridiculous that this one guy has been at the centre of so many great bands. I'm not complaining - I'm in awe.

The new “solo” album is maybe a touch more punk than the last few records and it completely rocks. Fast and furious downstroke rockers front to back. Its a great pick me up record that’s been on the turntable repeatedly. I havent heard the new Plosivs album yet but I'm sure that'll be getting lotsa spin time, too. 

Top Ten Sydney Tunnels and Bridges

What? Tunnels and bridges not rock'n'roll enough for ya? So, sue me. 

The Molly Fet Circuit were in Sydney for a couple of gigs recently and I could not believe how much the place has changed; I was here last only a year or so before covid - not sure how long it'd been for musician Shaun C. Duncan (Die Like a God, Council of Elders, Iron Phallus), but quite a bit longer I think.

Our friend Nathan Iowa (Shark Arm) was extremely helpful, driving us hither and yon - to the point where I realised that, without his help, we would've been either frequently lost or forking out hundreds in cab fares. Never mind anything else, we might not have even found the fucking gigs.

Top Ten Filthy Rock and Roll Songs

1. "Blitzkreig Bop" - Ramones

2. "Shake Appeal" - Iggy and the Stooges 

3. "Dirty Robber "- The Sonics

4. "New Rose" - The Damned

5. "Communication Breakdown" - Led Zeppelin 

6. "Oh Carol" - Rolling Stones

7. "Revolution" - The Beatles

8. "Lucille" - Little Richard

9. "Eruption" - Van Halen

10. "Let There Be Roc" - AC/DC

Find Richard Lawson here.