
In Every Dream Home - Atom (It Records)
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- By The Barman
- Hits: 13215
Atom have been playing around Melbourne for several years, and this is partly the result. I say 'partly' because I know they have other songs up their sleeves (and a few deft covers), and also because they're most engaging live, drawing you in like a nurse soothes a muscle-man pretending he doesn't have a fear of needles.
Those of you alert to the ways of the musical underground will recognise at once that this is another brainchild of Harry Howard and Edwina Preston. With the first track, 'Run Out', we're right there in that cut-up era Harry and Ed have created for themselves (somewhere between 1958 and 1989, it seems). In a different place and time, they'd have John Peel thrashing Atom's every B-side while turfing The Cure and The Mission sessions into the archives.
Record Play Pause: Confessions of a Post-Punk Percussionist: The Joy Division Years by Stephen Morris (Hachette Australia)
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- By Robert Brokenmouth
- Hits: 6106
He's the drummer chap in Joy Division and now New Order. Morris has written about how he got there, but with a rather rueful (and lucky for us, gently comic) look back at what a twat he once was. Cleverly written, sensibly contrite and a bit ashamed of himself, this is corking stuff. Even if you weren't interested in his music, in fact.
However, we're also in modern myth territory. That means the tragic suicide of frontman Ian Curtis; a death which seemed to grip the nation's rather maudlin youth and media of the day to such an extent that death of The Ruts' frontman, Malcolm Owen a couple of months later, was completely eclipsed; surely both were equally as tragic.
But no, the Joy Division wave, which was only just rearing up, hit the UK quite hard.
This is Filth - Filth and The Sound of My Broken Heart - Dead Rabids (Full On Noise)
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- By Robert Brokenmouth
- Hits: 3901
The Barman has already reviewed "The Sound ..." EP, but I thought I'd have a listen as well.
"The Sound of My Broken Heart" leads and it's a firmly-driven tubercular guitar snarl which allows Bob to vent in his rather strangulated vocals. I was never able to see the Dead Rabids, unfortunately - and I suppose that's the thing we find to our horror as we get older - other stuff gets in the way of us getting out the door.
There are about five or six local bands I enjoy seeing, and if I were able I'd be at pretty much every gig. Did the Dead Rabids deserve that kind of love? I've no idea, but "The Sound of My Broken Heart" is, as the Barman says, a stone cold classic. Buy yourself admission and freak people out when the track comes up on your mix cd in the car (no, I won't buy a car without a CD player) or your (snigger) mix stick - "My god," they'll squeak, "What's this?!"
Fog of Forgiveness - Eric Mingus (Fort Evil Fruit) and The Train. Part 4 - Mark E. Smith & Ed Blaney Cog Sinister)
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- By Robert Brokenmouth
- Hits: 7468
I was pondering the nature of what genuinely constitutes the avant garde. Encountered live on a good night (they weren't always good) outfits like Joy Division or the New York Dolls, would have had a considerable impact. But they still operated within the confines - sort of - of the rock'n'roll structure.
One wonders what the ordinary punter (ie, not a seeker of bonkers enlightenment) would have made of that extraordinary masterpiece, "Trout Mask Replica" much less "Sketches of Spain". However, here we have two recordings which well and truly fit the term avant garde.
First, to Eric Mingus, a man of considerable talent, who rarely seems to give interviews - probably because he keeps getting asked about his dad, Charlie (if you don't know who I mean, do some digging), which would miss the point: Eric is well and truly an extraordinary multi-instrumentalist and composer.
Television Generation b/w Hit Parade/What Could She Do - Sheer Fun (Fantastic Mess Records)
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- By The Barman
- Hits: 3167
Yes, it sounds more dated than Beta format videotape and borders on twee but therein will lie the charm for lovers of what was once called New Wave. It’s a limited edition, seven-inch single of three previously unreleased songs by Sheer Fun, a short-lived 1980 Melbourne band.
Formed by Adelaide expats Jude Ladyman and guitarist Grant Lang. Ladyman, vocalist and associate/occasional songwriter of The Aliens. The Aliens were an Adelaide band that briefly threatened to cross-over into the major label-owned mainstream. Lang and Ladyman had headed to Melbourne in search of a place in its arty punk scene. As Jude Stapleton, Ladyman went on to co-own Kings Lane Studios in Sydney, a home for many of that city’s bands in the late’80s.
A Festival of Sue tickets go on sale
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- By The Barman
- Hits: 6577
Tickets for The Festival of Sue, the tribute to late Sydney music booker Sue Telfer, are now on sale here.
X, the New Christs, The Johnnys, Kim Salmon, Front End Loader, The Mis-Made, Penny Ikinger, The Holy Soul and The On and Ons have been announced in the first wave of bands on the bill.
Proceeds from the October 20 show - featuring a dozen bands over two stages at The Factory Theatre in Marrickville, Sydney - will go to Support Act, the charity for music industry members who have fallen on hard times.
It's a dazzling line-up with more names to be added and will run from 2-10pm. It will sell-out so don;t delay.
Celebrate Damien Lovelock
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- By The Barman
- Hits: 5642
The private funeral has come and gone. There will be a public celebration of the life of one of the world's great characters in yoga teacher, sports commentator, writer, musician and waterman, Damien Lovelock, of the Celibate Rifles on Saturday, August 24 at Newport Surf Club in Sydney from 2pm. Soft – Songs of Love. Distance & Destinations – Fast Cars (Method Music)
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- By The Barman
- Hits: 7579
In case you haven't noticed, trans-global duo Fast Cars kissed their mod past goodbye a long time ago. moving into dreamy shoegaze and pop-psych. On their second full-length album, “Soft – Songs of Love. Distance & Destinations”, the core of Di Levi and Fabian Byrne has staked its claim on folk-pop.
“Soft” leads with the A and B side of the seven-inch single that preceded it. “Real Love?” and the slightly acerbic “Stainless” grow with each listen, reverberating with echoes of Britpop and the faintest strains of the Church. It’s Di Levi’s elegant vocal that’s the distinctive take-out here and that rings true for all 13 songs.
Expect no in-your-face rockers on “Soft”. Fast Cars are aided and abetted by an array of guests in Australia and the UK and there's some quality playing. Melody lines and musical textures abound. On this one, Fast Cars seek to beguile rather than badger.
Burnt Trees in The Snow – Fraudband and Donovan’s Brain (Kasumuen/Career)
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- By The Barman
- Hits: 6715
An unlikely pairing or a reckless act of inspiration? The contrasts on this split LP couldn’t be more obvious, but somehow the partnership works brilliantly.
Fraudband is an Australian duo (drums and guitar) that plays stark and evocative instrumentals, while Donovan’s Brain is a long-running American collective with roots in psychedelic West Coast and paisley pop. This LP, which you can buy on either side of the Pacific, gives each a toehold in the other’s musical market. As is often the way in these digital times, the vinyl comes with a download code for six extra tracks, all of them as good as the 10 LP cuts.
Half the Fraudband contribution comes from a CD release called “Blinkered vision and blurred horizons”, the rest of which ended up on a Bevis Frond split album. The Donovan’s Brain stuff is drawn from a seemingly bottomless well of material, pieced together by leader Ron Sanchez.
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