
Filmmaker Jason Axel Summers and the Stuart Gray documentary "I Should Have Been Dead Years Ago"
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- By Robert Brokenmouth
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Filmmaker Jason Axel Summers (right) with Stuart Gray. in Jason’s apartment. This “Stutue” was commissioned by Jason and depicts him with his Super 8 camera and light meter in either hand. The white of the lens and the sensor on the meter are made of glow in the dark epoxy. Stuart used his own hair as the hair on the Stutue
US filmmaker Jason Axel Summers' documentary about Australian-born musical anarchist and visual artist, Stuart Gray, “I Should Have Been Dead Years Ago”, is a prime example of what fantastic music there is out there to discover, and an excellent example of 'if you had expectations about this man, leave 'em at the door”.
Many I-94 Barflies will know of Stuart Gray (aka Stu Spasm), but not so much his music. If there's any justice, as a result of this documentary, Stuart will become a TV star and take his latest band, the New York City-based Art Gray Noizz Quartet, on an international stadium tour, complete with middle-aged ladies heaving their undies at him, while his oddly-insightful sculptures will sell for hundreds of thousands.
But hey, we live in a real world of struggle, pain, indifference, beauty, sin and downright foolishness, don't we.
So let's have a little yak with Jason Axel Summers, the somewhat determined man behind “I Should Have Been Dead Years Ago”.
One Jones worth acquiring
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- By The Barman
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Keepin’ Up With The Jones – The Ballbusters (Vicious Kitten)
You might question the validity of this four-song EP from the Worcester, Massachusetts, band that used to be Rick Blaze and The Ballbusters until their frontman’s demise in 2011 following protracted health issues. After all, it’s been 23 years since their second album and first for Vicious Kitten (the “Manhattan Babylon” CD) and one of the guitarists, Dave Cuneo, has also since shuffled off this mortal coil.
It was easy back then to write off Rick Blaze and The Ballbusters as yet another Thunders-besotted outfit from the backblocks whose fascination for JT's dubious lifestyle choices got in the way of them making it out of their own backyard. The cover art for this EP is all a bit too obvious but its arrival prompted re-visits of “Manhattan Babylon” and its 2001 follow-up “People’s Republic of Rock and Roll”, and they retrospectively hold up as righteous slices of swagger that owe as much to Mick and Keef as J. Genzales.
Third album finds Full Moon Flower Band in full bloom
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- By Edwin Garland
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Megaflower - Full Flower Moon Band (Silver Arrow)
Full Flower Moon band as a concept has been ongoing for almost a decade. It was a project created by songwriter, filmmaker and musician Kate Dillion. Early gigs in Brisbane were more of an experimental affair, playing at fringe music venues around Brisbane as a duo but sometimes supplemented by other musicians.
Dillion’s masterwork of a few years ago was her ambitious sci-fi film, “Chinatown”. She wrote the script, played the lead and wrote the soundtrack that became her debut album. A critically-acclaimed, intellectually-layered short film, it was an incredible achievement.
Teen Guerrillas launch a strike that hits home
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- By The Barman
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I Cyclops b/w Pride of the Savanna – Guerrilla Teens (Heavy Medication)
There’s a certain irony in three-fifths of a Long Beach, California, relocated to Portland, Oregon, putting out a single on a label run by an expat American based in Warsaw, Poland, when you realise that the first recording of the original group from which the trio sprang came out on a label in Yugoslavia back in the late 1990s. Confused, much? Let’s make it simple…
Guerrilla Teens feature ex-The Humpers singer Scott “Deluxe” Drake up front, aided and abetted by old bandmates Jeff Fieldhouse and Saul Koll on guitars. The Humpers were up with the best of a crop of Sympathy For The Record Industry labelmates like The Lazy Cowgirls, out of L.A. Bill Connolly (bass) and Anna Anderson (drums) make up the Teens’ line-up. Ex-Lazy Cowgirl Pat Todd hipped me to a copy of their album so the ears were receptive to hearing thie single.
A hint of the old days but Superchunk are very much in the here and now
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- By Edwin Garland
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Matt Allison photo
Superchunk
+ Smudge
The Sydney Crowbar, Leichhardt
Friday, December 13, 2024
1991 has gone down in folklore as “The Year That Punk Broke” and in many ways it’s true. A wave of underground music swept across music channels - in particular in the USA.
It’s also that there was a surge in guitars being bought and we can attribute this mostly to Nirvana. Scratch under the surface, and a crop of new bands had been springing up like green shoots across America for years. Releasing records on labels like Matador, SST and SubPop, they’d been criss-crossing America in broken vans, living on pills, booze, junk food and small shows
All the action was being documented in fanzines and the underground bible Alternative Press. For me, it was even cooler than the British wave of punk as it was more street-level and organic. Names like Afghan Wigs, Sonic Youth, Babes in Toyland, Laughing Hyenas, Mudhoney, TAD, Pixies and Lemonheads were the staple diet in the period prior to Nirvana releasing “Nevermind”.
The Beasts still breathe fire on their studio swansong
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- By The Barman
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Ultimo - The Beasts (Slick Productions)
"Ultimo" by The Beasts is the final nail in the Beasts of Bourbon's recording coffin. As Tex Perkins told bandmates in an email proposing its release, the title's definitions include -Finale, Conclusivo, Defenitivo, The Last.
As if you didn't know, The Beasts comprise former members of the Beasts of Bourbon and were conceived to record one more time with an ailing Spencer P Jones while honouring fallen bass player Brian Hooper. The "Still Here" album was spawned and toured before The Beasts lost drummer Tony Pola, also to cancer.
Re-convening with founding Beasts of Bourbon drummer James Baker, now also terminally ill, doing more shows was a way of connecting the historical dots and keeping him on the planet. Call it musical therapy. A couple of gigs led to an extensive national tour earlier this year.
John Kennedy announces Aussie dates to support his live album
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- By The Barman
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Urban and western troubadour John Kennedy kicks off his Australian run to promote “Live At The Marrickville Bowl” (I-94 Bar Records) this weekend.
Now living in Spain, Kennedy will play band gigs with his all-star The New Originals and solo/duo shows, hitting New South Wales, Victoria and Queensland.
First cab off the rank is an in-store thjis Saturday afternoon at Egg Records in Newtown - fittingly, just off King Street, which is a location Kennedy has immortalised in "The King of King Street". Most of The New Originals will join him. Full dates and ticket links after the fold.
There's starpower to burn on Starcrazy's debut album
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- By The Barman
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Starcrazy – Starcrazy (self released)
As the lights fade on 2024, it would have been a travesty not to review “Starcrazy” in full instead of just including the album in a Top Ten list. Glam rock with a touch of Van Halen isn’t the usual fare around these parts but stay with us because the debut LP for this Sydney band is one sweet ride.
My first glimpse of Starcrazy in the wild was during capacity-constrained COVID, in the confines of The MoshPit, the cosiest drive bar in Sydney. The band were then aged in their early to mid-20s. I remember being in awe at their skill levels but being confused by the range of their set and thinking how great they would be if they worked out their band identity.
Stems announce short run of shows in 2025
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- By The Barman
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They could have called it the Back By Popular Demand Tour: The Stems made a triumphant return to the live stage in August and September 2024, celebrating their 40th Anniversary with a series of sold-out shows across Australia and Europe and they're back home to do it again in 2025.
The band - featuring original members Dom Mariani, Julian Matthews, and Dave Shaw, along with acclaimed guitarist Ashley Naylor (Even/Paul Kelly/The Church) - are set to hit the road once more with a limited series of shows along the east coast of Australia in April. .
Following the release of their Top 20 single "Falling From The Sky" and live album "The Stems - Official Live Recording" (Cheersquad Records & Tapes), fans can expect to hear some new music from the band in the lead up to their 2025 tour. In the meantime, don't miss out on snapping up tickets for the upcoming shows.
THE STEMS - EAST COAST AUSTRALIAN TOUR APRIL 2025
WEDNESDAY APRIL 23
NORTHCOTE SOCIAL CLUB, Melbourne VIC
THURSDAY APRIL 24
CROWBAR, Sydney NSW
FRIDAY APRIL 25
GUM BALL FESTIVAL, Hunter Valley NSW
SATURDAY APRIL 26
OLD MUSEUM, Brisbane QLD
*Tickets available from the venues or via www.lunalivepresents.com
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