
Superchunk say you'd be Foolish to miss this tour
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- By The Barman
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It’s been 30 years since North Carolina indie-rockers Superchunk released their classic fourth album, "Foolish", and they're bringing it and the rest of their bulging back catalogue Down Under.
Produced by Brian Paulson (Slint, Beck, Wilco, Dinosaur Jr) and mixed by the legendary Steve Albini, it was just one of the band’s many releases that resonated with musicians, critics and music lovers alike, and became one of Merge Records’ biggest releases.
Written following the break-up of Mac McCaughan (guitar and vocals) and Laura Ballance (bass and vocals) who both remained in the band and co-founded Merge, its powerful and catchy melodies and raw emotion still make "Foolish" stand out as one of the band’s best albums.
The existential return of John Dowler's Vanity Project
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John Dowler's Vanity Project live.
Iconic Sydney label Half A Cow is releasing the new album by equally iconic Melbourne-via-Adelaide power pop exponent John Dowler and his band John Dowler’s Vanity Project. "Existential Friend" is the third long-player by the Melbourne-based vehicle for singer and songwriter, a key figure in Australia’s alternative rock’n’roll scene of the ‘70s and ‘80s.
He and the band will launch Existential Friend at The Catfish in Fitzroy in Melbourne with guests Mark Stinson and the Simon Juliff Band, on Saturday January 25.
John Dowler's Vanity Project is a culmination of Dowler's previous work that touches on the art-pop rock of the first band Spare Change and the pub folk-rock of his ‘80s band The Zimmermen. At its heart, however, is the melodic pop rock of his late ‘70s band-most-likely, Young Modern.
What Ash Naylor does on his days off
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Is Ash Naylor Australia’s busiest musician? With a solo acoustic song “A Blue Sky” presaging his forthcoming solo acoustic album, the Melbourne guitarist will sandwich his current duties with The Church with solo shows in Sydney and Melbourne and a solo band gig in Adelaide.
"A Blue Sky" is the second preview of Naylor’s next solo album, and follows "Donovan Dreams", an ode to the legendary '60s Scottish psychedelic folkster Donovan (of "Mellow Yellow", "Hurdy Gurdy Man" and "Sunshine Superman" fame).
Vegans, and the sensitive, need not apply
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Prime Cu*ts – Meatbeaters (Heavy Medication)
Over 24 years and five albums Adelaide’s Meatbeaters have never minced words, so seeing how the rest of the world takes to their good, honest low brow Aussie humour on this ball-tearing compilation from Polish label Heavy Medication is going to be a hoot.
Eleven slices of Meatbeaters high-energy over two sides of vinyl and subtlety isn’t anywhere to be seen. That should be no surprise from a band that’s named past long players “Crusty Seamen” or “Carry On Tuggin’”. Yes, it's Yob Rock, but it’s not just about beer (drinkin’) and skittles – there’s also a song (“Spit Roast”) about being pilled-up.
Dogged Cheetahs get off the leash with one savage EP
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Call The Dogs – The Streetwalkin’ Cheetahs (Heavy Medication)
Their youthful days of diving across tables and sliding down the length of venue bars are probably behind them but they still matter: If The Streetwalkin’ Cheetahs have made a bad record, well, you know the email address. The veteran LA outfit gets off the chain again on this four-song 10-incher, their first release since the stellar “One More Drink” album of 2021, and it hits the spot as well as any dive bar cocktail.
These days sax player Geoff Yeaton is firmly integrated into the line-up and adds an extra dimension to the Cheetahs’ trademark high-energy Detroit sound. The title tune is as good an example of that, featuring some stabbing guitarwork from lead vocalist Frank Meyer and Bruce Duff.
Sex'n'Drugs'n'Property Developers'n'Real Estate Agents
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- By Robert Brokenmouth
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The column's title is not a phrase that scans too easily, I admit. However, it seems obvious from where I sit that 'rock'n'roll' has well and truly been eclipsed by a similarly oikish pack of breadheads.
Certainly, the famous phrase that Ian Dury popularised has resonated down the years. However, back when Dury wrote the song, “sex'n'drugs'n'rock'n'roll” was once a way of life for millions, whether they be journos, execs, stars, musicians, musos, and grubby proles.
What's different today? Market forces, basically. In 1977, one person could still buy a house, car and put a kid through school on one wage. Today that's a laughable concept. People have less spare time and cash, for one thing; and when they do have the cash, they have other life-distractions.
Sydney's Crankees nail it on debut LP
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Settle Down – Crankees (Evil Tone)
The album does not fuck around so the review shall not: Sydney’s Crankees encapsulate kicking against suburban ennui like Eddy Current Supression Ring did 20 years ago, but won’t attract the same adoration because they don’t come from Melbourne.
Where ECSR complained about boredom and negative ATM balances with what, at times, seemed like resigned ambivalence, Crankees sound, well, cranky. It’s punk rock that never tries too hard. The other truth is that “Settle Down” deserves to be heard further afield.
Vale Gary Rasmussen of Sonic's Rendezvous Band
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Gary Rasmussen (left) with other members of Sonic's Rendezvous Band, Scott Morgan, Fred Smith and Scott Asheton. Joann Uhelszki photo.
Sonic’s Rendezvous Band bassist Gary Rasmussen has passed away after a short illness. He was aged 72.
A resident of Howell in Michigan, Rasmussen played bass with some of the region’s most influential bands in the late 1960s and ‘70s. He was a member of Scots Pirates, The Rendezvous Band, The Scott Morgan Group, The Up and more recently, Broken Arrow Blues Band. He also appeared on Patti Smith’s “Dream of Life” album.
After suffering a sore throat and back pain on Tuesday, Gary was admitted to hospital. He was transferred to University of Michigan Hospital where he was put into an induced coma after doctors diagnosed meningitis. He passed on Friday, surrounded by family and friends including longtime partner Marla Swartz.
The D4 are back for NZ and Oz shows
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High-energy Kiwis The D4 are reforming for a string of dates in their home country in 2025 as well as three shows across the ditch in Australia.
Promising all the hits for their two albums “6Twenty” and “Out Of My Head” as well as a slew of unreleased material, The D4 play Brisbane (February 13), Sydney (February 15) and Melbourne (February 16) with Tape/Off, Hard-Ons and Mach Pelican respectively.
Australian and NZ tickets are here.
- Sing For The Crime: The Saints '73-'78 play Sydney
- The Beasts are back - with new recordings - to say goodbye
- Nashville Pussy and Supersuckers on hit and run double-bill
- The Saints '73-'78 debut: Memories Are Made of This
- Joe Normal's dreams of a Blue (collar) Christmas
- Chris Charlesworth's ripping yarns from when rock's giants strolled the world
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