
Dog Day Afternoon: Chris Masuak and Co strike gold at Vinnies
- Details
- By Angela Evol
- Hits: 261

Chris Masuak's Dog Soldier
+ Mick Medew and The Ursula 4
+ The Spivs
Vinnies Dive, Southport, Queensland
Sunday, 18 October 2026
Words: Angela Evol
There are gigs you enjoy, gigs you remember, and then there are those rare occasions when you find yourself in the middle of something pretty special. Sunday afternoon at Vinnies Dive was firmly in the latter category.
Chris Masuak was back on Australian soil for a ruin of 10 shows, bringing Dog Soldier to the Gold Coast on “The Shiny Side Tour.” For those of us who grew up listening to Radio Birdman, The Hitmen and Screaming Tribesmen, this was one we'd been looking forward to for a long time.
After last year's Australian tour was cancelled following Chris's emergency eye surgery, having him back onstage, guitar in hand, was reason enough to celebrate.
And celebrate we did.
Nursery Crimes pop up to Sydney and Woy Woy and bring some mates
- Details
- By The Barman
- Hits: 164
Thirty-five years after releasing their iconic album “Fun Hurts”, melodic Melbourne punk legends Nursery Crimes are back, storming the Marrickville Bowlo stage fin Sydney or a rare headline show and playing the album in full.
Nursery Crimes will also blast out a host of favorites from their back catalogue and unveil a selection of brand-new tracks from their upcoming new release - their first new music since “Somethings Wrong with our Heroe”s in 1993.
Support at Marrickville will come from the mighty Geelong rockin’ stoner fuzz of GRYTT, featuring ex-members of Bored and Warped, new Sydney power trio Blame, comprising ex-Massappeal members, and the dirty, bluesy, pub punk rock of Dirt Road Wave, featuring members of Massappeal and Suiciety. Tickets are here.
Nursery Crimes backs up the next day at Link and Pin in Woy Woy with some help from Dirt Road Wave from 2pm. Tickets for that one are here.
The Breadmakers co-opt Tokyo's Angel Face for 37-year party
- Details
- By The Barman
- Hits: 702
Angel Face.
Melbourne’s most excellent rocking throwbacks The Breadmakers are celebrating their 37th birthday with a gig titled "Half Baked" and have once again sent out a call to their favourite bands from around the world and across the country to join them. Top of the Breadmakers wish list were wild punks from Tokyo, Angel Face, whose stage show blew The Breadies away when they played with them in Japan two years ago.
Angel Face are the latest band for legendary ex-Teengenerate guitarist and iconic figure on the Japanese garage-punk scene. Fink. The band also features bass player Toyozo (The Fadeeaways), singer Hercules and wild woman skins basher Rayco.
The Breadmakers will take over The GEM in Collingwood, Melbourne, on November 21 for "Half Baked" and limited tickets are on sale here. Be warned: Last year's "Half Baked" sold out in three days.
Angel Face will be packing a new limited-edition Australia-only LP, “Home To Roost”. The bill includes Homemade Space Machine, DJs and a mystery act whose identity remains a closely guarded secret.
Free catering will be by Japanese restaurant Chotto Moto and every ticket holder takes home a free piece of vinyl (7” or LP) or CD of their choice from a selection of giveaways on hand.
Better Late Than Never: Discovering Dave Warner's From The Suburbs
- Details
- By Angela Evol
- Hits: 715

Dave Warner's From The Suburbs | 50th Anniversary Tour
Tweed Heads Civic Centre
Sunday, 11 October 2026
Words: Angela Evol
Images: LisaG Photography
I'll admit it. Until fairly recently, Dave Warner wasn't really on my musical radar.
Being a fair bit younger than much of his established fanbase, I'd somehow managed to get this far without exploring the world of Dave Warner's From The Suburbs. I'd listened to a few recordings in preparation for Sunday's gig and thought they were alright, but nothing had particularly knocked my socks off.
As it turns out, I was missing the best bit. Dave Warner is one of those performers who really needs to be experienced live.
Chris Masuak's Dog Soldier tour underway
- Details
- By The Barman
- Hits: 1179

The Chris Masuak's Dog Soldier Australian tour is on the road and hitting East Coast venues this week, presented by The I-94 Bar. The opener before an enthusiastic Thursday night crowd at La La La's in Wollongong was a cracker, if we do say so ourselves. The caravan hits Smiths Alterbative in Canberra tonight.
The band of Chris Klondike Masuak, bassist Phil Hall and drummer Stuart Wilson is fresh from European dates and is cooking. They reeled out a succession of familiar classics from the Klondike back catalogue, covering Radio Birdman, the Hitmen and the Screaming Tribesmen, as well as recent band material.
Ticket links and dates after the SEE MORE link.
Kennedy's Collaborations bear fruit
- Details
- By John Ventoura & Robert Brokenmouth
- Hits: 1314
The Berlin Trilogy (And Other Collaborations) - John Kennedy: (I-94 Bar Records)
This album marks a watershed in John Kennedy’s life and musical journey. It represents a special time, with him surviving a stroke a year ago, making a move overseas to become a grey nomad with life partner Anja before settlement in sunny Spain where this record tookshape.
Early discussions with former bandmate Moe Jakschin Berlin produced three songs (“The Rocking Chair Studio sessions”). Further collaborations with an international cast of talented players (see Album Credits) morphed to produce this interesting and sensitive album of 12 songs. In collaborator Moe Jaksckin’s own words a departure and “not the same old Kennedy shit”.
Before we delve into the new release, it’s worth noting what John has done in his prolific career. Working as an architect in Brisbane and Sydney, he’s has been a player in the alternative Urban and Western music space in Australia since the mid-‘80s. With various band projects - the Cuban Crisis, Love Gone Wrong and more - recently collaborating with Phil Hall (Drop Bears, Lime Spiders), Red Wiggle Murray Cook (Soul Movers) , and Peter Timmerman (recently The Smoking Ruins) to form The New Originals.
The same supergroup (with gun for hire, Matt Galvin) produced two wonderful indie cover releases as the ’68 Comeback Special, the two volumes of “Raining Treasures”. It’s noteworthy that John crowd-funded those and the latest project, engaging fans who were asked to invest in releases. A clever way of controlling and owning the music production and distribution process. In these tough times it shows that experience and wisdom counts.
A look at the tracklist for “The Berlin Trilogy (And Other Collaborations)” shows an introspective and thoughtful John Kennedy, reflecting a longing for love, and sharing of wisdom and reflection.
John has stripped back the sound and this allows his mellow and deep vocal to shine. He channels the best of past crooners and this produces some lovely slow ballads backed with gorgeous twangy guitar - aka the recently departed Ron S Peno and Cam Butler from The Superstitions.
With this release marking 40 odd years of work, it places JFK in the same bracket as other stayers of the local industry. People like Steve Kilbey, Paul Kelly, Robert Forster and even Dave Graney, all of who have been prolific in their output. True to his Urban and Western roots, “The Berlin Trilogy (and Other Collaborations)” is very easy to listen to and enjoy.
The standouts for me are songs “Sweet Thing” which features some fine harmonica and a nice dreamy arrangement, and “I’ll Wait For You” with its beautiful twangy guitar and spacious introduction. This one takes fans down memory lane via a music trail of past Sydney venues like The Manzil Room, Springfield Avenue and Khardomah Cafe. There's a singalong chorus and perhaps the song hints at romantic times for JFK. Why not? We were along for the ride as well!
“(I Won’t Be) The First To Leave” is an upbeat anthem for us all that shows when love goes wrong in youth, the wisdom shines through. It recalls The Mentals’ quirky “If You Leave Me, Can I Come Too”.
“Ohh, Woollongabba” with John’s wonderful deep vocal is instantly captivating. It’s an ode to Brisbane (the city of Kennedy’s youth) and its surrounds like Coolangatta and its teen dreams and beer gardens that’s nostalgic but not syrupy!
At nearly 10 minites long, “Red Dust Rider” is an instant classic, a spacey spoken word story filled with dreams and wishes. This is such a departure from regular JFK stuff that I had to hear it again immediately to be sure it was the same John Kennedy and not a Presidential impostor! Evocative, compelling and moody. Cinematic and complete with tragedy the protagonist is too late for the rendezvous. It’s worth investing in this LP, IMHO for this track alone!
The other tracks offer plenty more; “Come Into The Light”, “Time to Leave Berlin” and “Long Time John” reveal many a recurring theme to be found in the thoughtful lyrics.
This is a fresh sounding album that’s aged well (along with JFK.) Raw at times, it’s a very personal release with loads of positivity. And don’t we all need that in these troubled times.
Ironically, there is little or no Bowie in the songs or music and I guess that’s the whimsical part of the release. The cover shot of a drab John in his Stetson, posing like Bowie, is priceless!
John Frances Kennedy is touring the Australian East Coast during November and December ’26. John hasn’t been idle off-stage and there’s a memoir, “Have Songs Will Travel”, being published to coincide. - John Ventoura
John Kennedy
Australian Tour
20 November - Marrickville Bowling Club, Sydney
5 December - Yorkshire Stingo Hotel, Melbourne
12 December - Smith’s Alternative, Canberra
19 December - Side B, Blackheath (Solo)
9 January - The Cave Inn, Brisbane
These days, when I hear the little box of CDs clunk into the mailbox, I react with a sense of awe. What, more people out there pouring their hearts and souls into a couple of handfuls of songs, putting them out in a physical format and launching them out into the world like coracles attempting an Atlantic Crossing?
How can this be? How can they be so determined, so optimistic?
Yeah, well. This time, I'm looking at the new release by a legendary Sydney “urban cowboy”, an architect/musician who just won't be forced off of the stage. Apparently, apart from a brief stint in Berlin (hence the title), he's putting his socks over the hearth in Spain these days.
Who, you ask? Why, John Kennedy, I reply. Ain't you ever heard of him? Uh-oh. Yeah, that's a bit of an issue, isn't it? Especially in these days of excessively lengthy instant search results, almost all displaying results for the wrong fucking bloke.
Okay, it takes a bit of whittling. No, he's not the American bloke who got shot because some other septics wanted a war in South-East Asia and he didn't. Nor is he the other American singer-songwriter who grew up in Nashville (unless the bugger was cloned whilst young). And, as you can imagine, there are innumerable characters who also apparently merit our attention, including a much-loved DJ, and I expect there's also an interminable list of portly housecats and slipper-chewing rug-soiling hounds who answer to the name "John Kennedy" or "JFK".
If I am ever gonna interview this chap, that'll the first question: Why the everloving fuck didn't you change your fucking name to something else? Surely "Arnold Snodgrass" would've stood out more? "Bertie Hurdygurdy"? "Bill Sniffling"? Hell, "Iggy Squeezevomit"?
Oh, well,. I suppose sharing the name with a US president whose head got famously splattered like a dropped punkin’ filled with grey and red goo would cause a certain amount of infamy - and therefore attention. Perhaps that was the reason. I mean, JFK & the Cuban Crisis was a band name that really would have been fairly confronting (or, decadently amusing).
I mean, you'll recall that, in the USA, The Dead Kennedys copped rather a lot more than media attention. JFK & the Cuban Crisis appeared less than 20 years since the rather more-famous JFK had been shot; imagine if some japester band were to call themselves 'The Bali Bombers' today. Or, perhaps, 'The TISM Killers', or 'Pauline's Pogrom', or 'The Cronulla Nullas'.
And, back in the early '80s, pop was stuffing all manner of influences into the blender; as I'm sure you also know, punk and new wave caused an extraordinary explosion of innovation and talent to walk the earth. Must've been an interesting, rather busy time for the man - particularly as I understand he had a day job - an architect. Useful, as I assume his work kept him in strings, amps, a crappy touring van and petrol.
If there's a style which folk like to hang around Kennedy's neck, it's "Urban and Western", but really ... despite all the US country-tinge, I find his songs more reminiscent of laid-back pop best suited to chillin' on the balcony with a few mates and a hearty supply of coldies. A classic example might be "Strangers Kiss", from the John Kennedy's Love Gone Wrong LP "Always the Bridegroom".
Anyway, I'm sure the readers in Sydney are all familiar with John Kennedy by now: he's released records and CDs under his own name, but with other bands too, John Kennedy's Love Gone Wrong, John Kennedy and the Honeymooners, John Kennedy and the Lone Gunmen, John Kennedy's '68 Comeback Special and more lately John Kennedy and the New Originals; the bands play his own songs but he's released at least three collections of covers ... and ... here we are today.
I suspect he's something of a culture junkie, as the Community Broadcasting Association describe him as "living, performing and recording in LA, Berlin, Hong Kong, Holland and London" for ten years before returning to Sydney "in the 2000's".
The record company's Bandcamp page explains that Kennedy had a stroke in 2025 before relocating first to Berlin - and then Spain. That this record exists at all indicates that not only is Australia's John F. Kennedy somewhat harder to kill off, in typical Australian tradition, he's clearly something of a determined bugger, if not a stubborn old sod.
The Bandcamp page further explains; "former bandmate Moe Jaksch challenged him to leave his familiar pop-rock territory behind ... the result is a fresh, contemporary take on Kennedy’s distinctive Urban and Western sound — adventurous, collaborative and, in [Jaksch's] words, “not the same old Kennedy shit”.".
"The Berlin Trilogy" was produced by Kennedy himself, and mastered by the increasingly infamous Ernie Oppenheimer, and features Moe Jaksch, Peter Loveday, Paco Peneranda, Frank Kearns, Paul Scott, Hybride Goldking, Peter O’Doherty and Hunting At Dawn.
There's a lot of languid, gently exploratory beauty here - "The Berlin Trilogy (And Other Collaborations)" is an LP for (older) lovers. Call it groovy, laid-back pop if you like, but essentially the man has sewn his heart onto his cowboy hat. If these songs are any indication, he's found love (again), which means the LP is positive, upbeat yet sensitive and ... yeah, where were we on the balcony? Ah, yes, someone special and a chilled light red.
For a stubborn old sod, "The Berlin Trilogy" is deceptive: on the surface it might feel light, but as you listen and as the songs get beneath your epidermis, you find there's real weight, strength and value to them. The tunes tend to grow on you, too; I found myself humming "I'll Wait For You" or "(I Won't Be) The First To Leave" at several inappropriate moments (the doctor was curious enough to pause mid-injection). Don't ask.
John Kennedy's memoir, "Have Songs, Will Travel", will be out soon, so he'll be playing a few select dates on the East Coast, starting in November. - Robert Brokenmouth
1/2
Spring's in the air as The Nature Strip deliver bright and breezy pop
- Details
- By John Ventoura
- Hits: 1116
The Nature Strip.
The Nature Strip
+ The Smoking Ruins
Mixtape Brewery, Marrickville
Friday, 18 September 2026
Words and Pictures: JOHN VENTOURA
It was a beautiful spring night when Marrickville’s Mix Tape Brewery played host to a very capable double bill in local legends The Nature Strip expertly supported by The Smoking Ruins.
Joined by a long-time muso friend for his initiation to the venue, I was keen to get an insider's take on the evening. For the uninitiated, Mixtape is a relatively new Inner West space building a fierce reputation for free live music.
It’s a vast, clean room offering good value craft beers, spirits, wines (even chilled reds), and quality snack food—a safe haven for like-minded company, all for zero dollars entry. Acoustically, the room is beautifully dialled in with wall dampeners and high-positioned speakers providing a rich, full sound anywhere in the room. Kudos to Jeff, whose tablet-controlled mix was of a pleasingly high standard all night.
Sacred Cowboys return from Europe and announce three shows
- Details
- By The Barman
- Hits: 673
Revered Melbourne band Sacred Cowboys are back from a successful European tour with a handful of Victorian shows in November on the back of their “In The Manifesto” album..
Sacred Cowboys delivered a powerhouse performance at the Binic Folks Blues Festival in Binic-Étables-sur-Mer, France, in July, commanding the Plage de la Banche stage with raw intensity. Festival organizers and attendees hailed the Australian band's set as a magnificent, high-energy "claque d'amour" (translation: a loving slap to the senses).
Sacred Cowboys shot to national notoriety in 1982 as a fun and nihilistic jolt to the senses on national pop show Countdown.
The band was formed by lead singer-songwriter Garry Gray and bass-player Mark Ferrie who drew on their experiences in the OG punk and post-punk scene—Gray with proto-punk outfit Negatives and Ferrie with early line-ups of The Models.
Gray and Ferrie recruited Tim Deane, Anthony Paine and Damien FitzGerald last year and created “In the Manifesto”, released on Beast Records in France and Torn & Frayed in Australia in early 2026.
Sacred Cowboys
NOV
20 – Church, Geelong, VIC
22 – Northcote Social Club (afternoon), VIC
27 – Young Street Tavern, Frankston, VIC
Easy Action delivers another Stooges hit job
- Details
- By Robert Brokenmouth
- Hits: 1597
Head On 1974 - Iggy & The Stooges (Easy Action)
Yes. It's the Stooges. Live, rude, raw and crackly, murky and full of the crowd. Of course it's an essential purchase - and this one is special for a host of reasons.
So, full disclosure, I am a Stooges fan so I'm probably not able to be impartial here. (ED: What’s up with that?) However, if you're not sure who or what I'm talking about, google "Iggy and the Stooges", have a listen. Read a bit on Wikipedia. And come back before you read on.
Let's assume you've either investigated or don't need to. Easy Action have form. Big Stooges form. They've tidied and released a lot of original, primary-sourced Stooges material, from unreleased studio recordings to live material, much of which was not thought to exist. What's more, they righteously pay royalties. Quite a few of their limited run items sold out long ago, including the famous six-disc "Heavy Liquid" box set. That one included three-and-a-half discs of studio and rehearsal material.
Page 1 of 326
