
Live music? Lachlan's loving it. Make mine a MacGuffin
- Details
- By Robert Brokenmouth
- Hits: 313
The MacGuffins. Alison Breen photo.
Lachlan Colquhoun is a writer, editor, publisher, bass player and anarchistic ne'er-do-well. Adelaide expat cum Sydney-ite, currently with Sydney outfits The Flippin' Kick Outs and The MacGuffins.
You might not have heard of Lachlan Colquhoun. On the other hand, if you're an old fart sitting at home with the bowl of corn chips barely balanced on your belly while you suck a stubby through a straw, you might remember him from tumultuous, inebriated nights in the 1980s and ‘90s when Sydney was crowded with bands, possibility and sub-tropical steam, even more crowded with thirsty punters.
If you know the music world, essentially everyone in this country is a minor player. Why? Because it's Australia, and while we may think we're something special, overseas, no other bastard does. So, like Iva Davies or Daniel Johns or even that bloke from Men at Work, while between jobs which pay a fuck of a lot better than being a musician.
Crocodile gets a Sydney launch
- Details
- By The Barman
- Hits: 264
Crocodile – Looch Lewis and The Press Gangsters (Stanley Records)
Looch Lewis is one of the underrated talents on the Sydney scene and this song this is a stand-out in his band’s current set. Lilting along on an acoustic bed, Looch’s swelling vocal and Drizabone D’s mandolin are the features as The Press Gangsters take a step back from the rock approach of the previous single, “Jessie”, in a stark, apologetic lament.
The title’s a reference to a long-held Lewis fascination with the reptile in question and an indication that emotions can sometimes leave you open-jawed. (Drummers can connect things like that sometimes.) It’s a digital single, of course, but the limited run CD version features “Crocodile:” in its raw demo form.
It’s being launched tonight at Sydney’s Golden Barley Hotel in Enmore and it’s free admission.![]()
![]()
2/3
Listen
Breaking bread with Gravel Samwidge's Mark Spinks
- Details
- By Robert Brokenmouth
- Hits: 612
Samwidge is served: Declan Bradbury Mark Spinks and Alex "Sleepy" Morrison. Photo by Calan Stanley
Rejoice, Sydneyites, because Gravel Samwidge are extracting themselves from their Brisbane base and heading down your way for some sonic shenanigans.
For those unfamiliar with Gravel Samwidge, here's the basics: They are Declan Bradbury on bass, James Cassidy on guitar, Alex “Sleepy” Morrison on drums; and band leader Mark Spinks on guitar and vocals.
But before any more, a little heresy. When I was a young lad I absolutely loved The Scientists (first and second versions). It's forgotten now, but the second mark were often scorned and verbally abused outright. They simply didn't fit: noisy, fuzzy, feedback-y. And, especially, all that horrible long hair which, for rock 'n' rollers, had gone the way of the dodo during the late 1970s.
A show for Sydney's legendary Hoey is sure to summon ghosts
- Details
- By The Barman
- Hits: 287

You’ve seen the “Spirits of the Hoey” book, the tribute to Sydney’s iconic Hopetoun Hotel by academics Liz Guiffre and Gregory Ferris, with the photographs of Bryan “Cookie” Cook. Now you can experience the live gig when Petersham Bowling Club hosts “Spirits of The Hoey – A Live Love Letter To The Hopetoun Hotel” on Saturday October 31.
Tickets are expected to sell out long before the event and are on sale here.
Heading the bill is a reformation of Vrag, the band that would morph into Machine Gun Fellatio, with very special guest Christa Hughes on vocals.
Legendary Sydney venue MoshPit calls Last Drinks
- Details
- By The Barman
- Hits: 323
Venue supplied image.
Sydney’s live music scene has suffered another body blow with the news that small bar MoshPit will close its doors in November. In its ninth year and at the end of its lease, the venue’s majority owner Pat Jones delivered the sad news via social media late yesterday,
A nursery for up-and-coming bands and a home to veteran acts alike, the room has hosted thousands of musicians down the years, weathering Covid, a sagging economy, red tape and ever-shifting demographics.
The venue took on lockdowns head-on, staging limited capacity streamed events including Monday Evening Gunk, a tonight show-style venture with The I-94 Bar that spanned two seasons. Co-founder Jill Dures was a driving force in that and MoshPit’s early years.
An institution on King Street in the inner-western suburb of St Peters, tThe ongoing gentrification of the area has forced the owners' hands.
Despite an awkward lay-out that sometimes tested capacity and patron comfort, MoshPit was the CBGB of Sydney where untested acts could have a go. MoshPit’s closure will leave a yawning gap at the small end of the live music market that Sydney will struggle to fill.
This Lipstick Killers rock opera is one Strange Flash
- Details
- By The Barman
- Hits: 664
The Lipstick Killers Present The Shining Stone: A Rock Opera By Mark Taylor and Peter Tillman – Mark Taylor and Peter Tillman (Appointment/Pink Flamingo)
The label on the packet does not lie. It says “Rock Opera” - so you can’t say you haven’t been warned.
If you have to ask who Mark Taylor and Peter Tillman are, you’re in the wrong place. Their old band, the Lipstick Killers, was a force of nature in a febrile Sydney underground music scene at the turn of the ‘70s. Arising from the ashes of Filth (Tillman) and Psychosurgeons (Taylor), they wedded sharp humour to high energy music, running aground amid an ill-fated re-location to Los Angeles.
All-too-brief returns down the years did not nothing to erode their reputation as torchbearers for glam punk rock folded back into its ‘60s roots and sprinkled with bathos, pathos and a little glitter. The principal members’ materialisation in Sydney with Dr Stone in the early ‘90s just put a psychedelic acid punk cherry on top.
They Will Persaude You: Huxton Creepers are back for more than 12 Days this time
- Details
- By Matt Ryan
- Hits: 397
Huxton Creepers back in the day. Artist supplied.
Legendary Melbourne band Huxton Creepers are back in the swing of things. No longer just the odd show here and there, the Creepers are playing more regularly, including an Australian East Coast tour, and are issuing their first new music in 36 years and a vinyl re-issue of their “12 Days to Paris” album.
Bass player Matthew Eddy spoke to the I-94 Bar on the eve of their album’s 40th anniversary shows.
Ghosts in the machine
- Details
- By Robert Brokenmouth
- Hits: 728
Customs & Rituals Of... - The Taps of the Holy Trinity (Fenny Compton)
To me, the world is full of folks who think the letter of the law is more important than why the law was conceived, and why the letter of the law can and should be turfed if it's obvious, the reason for the law is being distorted. Same goes for guitar nerds and also those people who seem to think that dexterity and cleverness makes a great song. It fucking doesn't. Nor do all those sound alike bands on streaming networks.
Just because I love The New York Dolls no, it does not mean I love Aerosmith. Or the local pub equivalent. Because I love a particular band does not mean I will love the cover version.
I recently paid for, and saw, 17 minutes of Lydia Lunch's Suicide tribute - and left because I really wasn't enjoying it. In fact, I found the whole thing trite, lite, and boring. The actual band, at any point in its lopsided trajectory, wasvsimply a force of nature but this was like watching The Wiggles do a Suicide matinee (and, to be completely honest, as I was walking out I realised I probably would have enjoyed a Wiggles concert).
Pismo Beach's finest unleash a new vinyl single and launch show
- Details
- By The Barman
- Hits: 356

It's stating the obvious to say The Psychotic Turnbuckles are the greatest rock and roll band that ever stepped into the ring: They came, they saw, they conquered and although many have tried, none have ever been able to stand in their way.
And now the Pismo Beach’s Kings of the Combat Zone (and the Californian resort town's first Rock and Roll World Champions) are making more history, with the release of their first vinyl single in 32 years - on I-94 Bar Records.
Sydney's Marrickville Bowling Club is the place to be on Saturday, September 5 for the world exclusive release of “Bad News Travels Fast” b/w “Infected (With You)”, the double A-sided 45rpm Single of The Year. Tickets are on sale here.
In lurid green vinyl with full colour cover and a typically understated sticker insert, it will land on the merch desk like a pallet-load of phone books. Both tracks were originally recorded by other bands (“Bad News” by The Fuzztones and “Infected” by The Miracle Workers) but have been slammed to the canvas, worked over and given the Turnbuckles treatment.
Page 1 of 321
