dinosaur jr

Dinosaur Jr have sold out their Melbourne show just 24 hours after the on-sale. Feel Presents are pleased as punch to announce a second Melbourne show for the original power-trio: Saturday, January 21 at the Croxton Hotel and it's on sale here.

Elsewhere Dinosaur Jr tickets have got off to a great start with the tour set to be a national sell-out well ahead of time. For all your Dinosaur Jr ticketing needs and up-to-date news check in at http://www.feelpresents.com/

One-time oollege radio favourite John Davis - part of The Folk Implosion in the '90'- is heading to Australasia.

Davis and Dinosaur Jr bassist Lou Barlow co-founded The Folk Implosion in 1993 while the latter was looking for a different outlet to Sebadoah, his band at the time.

Davis left in 2000. He now now records and tours solo and with a band of rotating characters based in Durham, NC, USA.

Tickets for Dinosaur Jr’s looming return to Australia January go on sale today. They’re touring off the back of their new album “Give A Glimpse of What Yer Not”, their first since 2012 and their fourth since 2005’s unlikely reformation.

Four albums into their rebirth and Dinosaur Jr look to have no sign of slowing up. Album of the week slots on Double J, FBi, SER and glowing reviews across the planet stand testament to their staying power and the songs of J Mascis. Dates after the link:

Regular visitor, Dinosaur Jr frontman and guitar-guru J Mascis returns to Australia and New Zealand in February 2015 for a stack of solo shows.

The Mascis itinerary includes an appearance at the Adelaide's Garden Of Unearthly Delights Aurora Spiegeltent, two spots as special guest to premier ambient / noise outfit Mogwai at Perth's International Arts Festival, headline performances along the Australian east coast (including first time solo appearances in Hobart and Canberra) and three gigs on the north island of New Zealand.

The 2015 tour follows the release of "Tied To A Star", the second solo album from Mascis that picks up exactly where 2011's debut "Several Shades Of Why" left off.

Everybody of a certain vintage who follows non-mainstream rock and roll has a soft spot for ‘zines. One of the reasons you’re reading this electronic magazine is down to two, 48 Crash and Vicious Kitten.

48 Crash was the archetypal Sydney zine of the early ‘80s. Hand-written (and coloured, sometimes), its photocopied pages spoke of Le Hoodoo Gurus, the Visitors, the three-piece Screaming Tribesmen and the Lipstick Killers - bands that struggled to attract mainstream attention elsewhere. It championed the so-called Detroit Sound that fuelled the Sydney music scene for more than a decade.

Ten years later, Vicious Kitten was an offshoot of the record label of the same name and professional publication that aimed its lens at people like Johnny Thunders, Kevin K, Jeff Dahl and Freddy Lynxx. Very Lower East Side, in spirit.

An honourable mention also to Sydney's B Side, that covered the left-of-centre, extreme local musical scene. Unbelievably Bad fills the same niche today. There were the rock local papers (RAM, the bible, and Juke) that were consumed religiously, but zines had all the cool stuff and never mentioned Chisel, Icehouse or Farnham.