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mark cornwall

  • proby and meProby And Me. A Howling Tale of a Falling Star – MJ Cornwall (BookPOD)

    The label doesn’t lie. “Proby And Me” is a runaway train of a story, a rollicking saga of a disastrous “tour” down under by the trouser-splitting, UK-exiled Texan-born ‘60s pop star who was, briefly, as big as the Beatles.

    The context: Ex-publican Brett Stevens (aka Brett Eldorado) and former Hoodoo Guru Clyde Bramley had lured the man to Sydney - and he barely made it past the front door of the Hopetoun Hotel.

    By 1990, Proby’s currency as anything but a cult item had well and truly faded. He was plucked from a housing estate in the north of England where his performing stocks were low, his live appearances limited to a circuit of scrappy workingman’s clubs and seaside summer resorts.

    Proby’s would-be promoters flew him to Sydney, put him up in a Bondi hotel and paid his considerable bar tabs. At least his food bill would have been minimal. PJ sounds like a graduate from the Eating Is Cheating School.

    Attempts to match Proby with a backing band were fraught - his preference was a full orchestra - musicians who “read” - and his promotional appearances in media were sporadic and booze-sodden. A warm-up gig in Newcastle and an inner-city stand at Paddington RSL that sparked a mini riot were the only shows.

    Author Mark Cornwall tells the story through the eyes of Eldorado - or should that be ears as Proby never shuts up. It’s 321 pages of staccato chatter and patois - delivered like machine gun fire in the style of James Ellroy.

    It’s a story that’s exceedingly well told, with grim humour and massive swathes of colour.

    Proby namechecks everybody from Jimi Hendrix to The Doors, Marc Almond to Elvis and Kim Fowley to Jimmy Page, in recounting a storied life mostly spent clutching defeat from the jaws of victory. What’s more, the yarns have all been verified to be true, and their common denominator is that when it turned to shit, it was always somebody else’s fault.

  • headonismHeadonism
    By Peter Head with MJ Cornwall
    (BookPOD)

    The history of Australian rock and roll is chockablock with yarns about people who had their shot at The Big Prize. Adelaide-born Peter Head (nee Beagley) gave it a better shake than most,  rising to prominence as pianist for prog rockers Headband, touring his bum off and playing in a pre-AC/DCband with some bloke named Bon Scott.

    This is a man who rubbed shoulders with everyone from Elton John to John Mayall, John Farnham to the Rolling Stones.Adelaide-raised, Head did what a lot of Aussies did in the‘60s and followed his nose to work as a muso in England...only to suffer the same fate as many, if not most, of his peers and have it rubbed in Pommy squalor.

    In the ‘80s Head transplanted himself to Sydney and became a fixture in the piano bars of Kings Cross. It was probably a natural progression for a bloke who kicked off his career as a 13-year-old backing bump-and-grind dancers in seedy Hindley Street bars. Along the way, he directed stage shows, toured nationally with the likes of Robyn Archer, carved out a regular place on the bill of the Adelaide Festival, filled in as backing pianist for “Here’s Humphrey”. 

  • mj cornwall with bookAuthor Mark Cornwall and "Proby and Me".

    As a child growing up in the south-east South Australian town of Mount Gambier, Mark Cornwall recalls seeing an American singer performing on the Beatles’ television special, “Around the Beatles”. 

    “He had a pony tail and this was 1965. This weird stage outfit, buckled shoes, singing “Walk the Dog’,”  says Cornwall. 

    The artist was Texan-born James Smith, known better by his stage name PJ Proby. Proby had first come to public prominence with the top 10 hit “Hold Me” and would go on to generate and foster a mixture of popular interest and media controversy over the course of the rest of the decade.