
Meeting the Mexicans: Live in Melbourne - The Celibate Rifles (self released)
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- By The Barman
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It’s 14 years since the last Celibate Rifles release, the accomplished studio effort “Beyond Respect”, so this one’s timely. It’s the third live album in the Rifles’ 39-year history and a departure of sorts.
If you expected trademark explosive guitar from the outset (a la “Kiss Kiss Bang Bang”) adjust your expectations. “Meeting the Mexicans” - the title refers to playing to people in Melbourne - is from a half-electric/half acoustic gig at the Thornbury Theatre in Victoria in mid 2017. The first half is the Cellies mostly unplugged, with the full-blown configuration front-and-centre for the last five tracks only.
The unplugged thing has been going on for a few years on the Celibate Rifles’ infrequent live runs. It’s an idea that links back to the 1996 “On The Quiet” album and mixes things up for fans and band alike. Considering the bulk of their songs were written on acoustic guitars before they were taken anywhere near a studio, it works. Plus, you get to absorb the words in a way that doesn’t happen at a “normal” gig.
Let There Be Rock: Greats gather to honour Gillsey
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- By The Barman
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"Let There Be Rock!" brings together three long-standing heavyweights of the Australian underground rock scene: The Celibate Rifles, Hard-Ons - Official and The New Christs in celebration of the life of Andrew Gillies.
"Gillsey", as he was more affectionately known, was a fixture at shows by all three of these iconic Sydney acts for over 30 years - the first decade as a resident of Sydney and the remaining two in the Northern NSW town of Uki. Even the tyranny of distance would pose no problem to Andrew’s enthusiasm and drive to see, and support, his musical heroes.
In addition to being a major fan of all these acts, young Andy also served as stage tech for the Hard-Ons touring Australia, Europe and the USA from the late '80s through the early '90s, a role he also commandeered for Ratcat, Ed Kuepper, Died Pretty and others.
A slipped disc while working as carpenter reduced his participation in such activity reduced him to more domestic tasks, though, he still continued to tour Europe with his beloved Hard-Ons working as their merchandise seller right up until 2017.
Hey Australia: Lydia's coming to Lunch
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- By The Barman
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American Singer, poet, writer and actress, Lydia Lunch returns to Australia with her all-star cast of sonic brutarians in a no-holds-barred survey of her musical output from 1977 to the present.
Lunch will be including music from Teenage Jesus and the Jerks, 8 Eyed Spy, Queen of Siam, 1313 and Shotgun Wedding.
Lydia Lunch Retrovirus features members from Sonic Youth, Pussy Galore, Chrome Cranks, The Flying Luttenbachers, Child Abuse and more and marries No Wave, Skronk, Hard Rock and Psychedelic Out Jazz to create a dynamic live performance which is dangerous, infectious and aggressively sexy the way Rock music once was.
Never To Be Released - Maximum Security (self released)
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- By The Barman & Robert Brokenmouth
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This is a clever record. Meaning: just enough thought went into its recording and production to make it special.
Two declarations up front. I know most the people involved with “Never To Be Released”, so there’s a slight degree of bias in their favour. Secondly, most music that passes for “punk rock” bores me shitless.
It’s like the second wave of UK punk: Once the first rush of anger and spontaneity had subsided, it fell victim to fashion. Style over substance. Saying the same thing over and over got real old, real quick. Learning two chords and starting a band is fine but you need to educate yourself in what to do with them. The chords and the band, that is.
An Instant Classic By Sean O'Callaghan (collective effort press)
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- By Robert Brokenmouth
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Jim Morrison! John Lennon! Leonard Cohen! Mark E. Smith! Bob Dylan! John Lydon!
Yes, that's right, these dirty rockers have all had books published outside their main area of expertise. Now here's Sean O'Callaghan. Name might not quite be as familiar as the above pus-bags, but you've probably seen his memes about on Facebook and stuff.
Australian Sean O'Callaghan is a poet who ain't like other poets. You know the bloke who stands upright and mumbles his words with embarrassment because, deep down inside, he knows he's a dick?
That's not Sean O'Callaghan. Sean doesn't just read, he performs (often with a backdrop or musical racket banging away). The man has a distinct taste for chaos and mayhem, whose performances usually upset (if not silence) most other poets (apparently a bit too rock'n'roll and tend to separate the wheat from the chaff by the end of the performance. And, beneath all the big impact... that's where you see the man himself.
3 Cheers to Nothing - Trixie and the Trainwrecks (Voodoo Rhythm)
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- By Robert Brokenmouth
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"3 Cheers to Nothing" arrived in my box unannounced and unasked for. I put it on as I was driving (as I do) and nearly rear-ended a bus.
I can see the children looking behind them with little circles for eyes and big open mouths, horror written all over... and then there was the rest of the drive, complete with sirens (bloody things, they take ages to get rid of), driving on the wrong side of the footpath, and a few dents on the roof (bloody cyclists).
You should be familiar with her record company: they declare they stock "Music to Ruin any Party" (they don't, the only parties they'd ruin would be political ones), Voodoo Rhythm (the folk who bring you Bob Log III, Dead Brothers, Delaney Davidson, Pierre Omer, The Pussywarmers and (in Europe) Rocket Science) and a host of others ... so Voodoo Rhythm have form, as they say of old lags, and fine, fine taste.
Workshy by Dave Graney (Affirm Press)
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- By The Barman
- Hits: 6396
Let's get one thing straight: Musicians do work. It may not be work as we know it, Jim, but it is a form of employment, and it requires a well-defined skillset.
Talent is important but so is patience. Professional musicians do more waiting around than almost any other occupation on Earth. Other than midwives - and at least they receive universal praise.
Solo artist, ex-Moodist and leadr of the White Buffalos, Coral Snakes and more, Dave Graney, knows this about his trade and much more. He conveys much wisdom in "Workshy". It is the ideal read for anyone thinking about sending their offspring into rock and roll. Which is where Dave hides. Pun intended.
"Workshy" is Dave's second autobiography. I know what you're thinking: He might have been crowned King of Australian Pop but where does Graney get off writing TWO books about himself? Well, Billy Thorpe managed to do it. And more of Dave's books might be true. Both men have bodies of work with parts that are wryly funny. I could be referring here to The Aztecs' "The Hoax Is Over". "Workshy" is considerably more focussed than that mess.
A Thousand Endless Nights - Little Green Fairy (Closer Records)
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- By The Barman
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It’s been five years such the last album and French garage-psychers Little Green Fairy are back with their strongest record to date. You may have never heard of this band but be assured that they hit the mark and worth you taking a risk on.
Little Green Fairy (it’s a brand of absinthe) come from Sette on France’s Mediterranean coast. That means they’re a long way from almosty anywhere else in French terms, but it also positions them in a pictureseque stopover for touring bands on their way to Italy. They've won a reputation as the local support-of-choice.
They’ve shared stages with an impressive list. Try the Saints, Radio Birdman The Jim Jones Revue, the New Christs, Hoodoo Gurus, Real Kids, The Hydromatics, The Bellrays, Sonny Vincent and Chris Bailey, among others.
Rock with Doc as he fights The Big C
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- By The Barman
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Chickenstones main man Andy “Doc” Temple Ellard is fighting a battle against an aggressive cancer but that shouldn’t be the only reason you see his band’s last Australian show for 2018.
Chickenstones are one of Sydney’s best straight-up rock and roll bands.
Doc is also one of the Sydney scene’s most genuine characters, a fine frontman and guitarist and a tireless champion of underground music via the weekly Devil’s Jukebox on 2NSB and Radio 365.
The band’s most recent CD, “Johnny Streetlight”, is out on vinyl on French label Basil Records and the show - at Collaroy’s Beach Club on April 21 - is billed as a second launch for that erstwhile artefact.
The band plans to tour the record in Europe later this year, pending the outcome of Doc’s treatment.
The bottom line is that Doc will appreciate your support but Chickenstones shows are also one big party. For this one, they’ll be supported by locals Dias. Tickets are just $10.
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